I am intimately connected to my art. Each body of work responds to a question or need prompted by my lived experience. A focus on tactility, physicality, material, and process is constant across everything I create. I engage deeply with all my chosen media, satiating a desire to touch and be touched, hold and be held, becoming fully immersed and present as I sculpt, weave, fabricate, dissect, and manipulate. Ceramic, wood, fiber, and metal intertwine with electronics and digital fabrication, functioning as experiential facilitators and tools for production. I crave a comprehensive understanding of materials and processes to expand and adapt their possibilities to best serve my purposes. I collect natural objects as inspiration and take extreme pleasure in finding exquisite beauty in the small and the happenstance: the utterly delicate patterning of a clementine membrane; the sloping planes of a scapula; the natural shelter of a seedpod. My continuing research of these technical and philosophical trajectories serves as the foundation of my studio practice.

This interdependence is illustrated by one of my ongoing series, Rooted Vessels. Rooted Vessels explores the foundational role of the embrace in our human experience. The circumstances of daily life often leave us without sufficient physical contact with other people. We alleviate that lack in a variety of ways; cuddling, exercise, physical contact of any variety, and sublimation into imagination or fantasy. I often find myself seeking voids and hollows in nature and projecting myself mentally into the spaces. These sculptures are the products of those imaginings. Bodies contort and twist themselves into found locations, altering their physiology in pursuit of physical contact and comfort. 3D scanning and printing serve as a modern-day pantograph, accommodating the material properties inherent to ceramics, allowing sculpted forms to fit into found spaces with the intimacy and specificity of puzzle pieces. Rooted Vessels recently transitioned into the use of figuration, eschewing metaphor to place actual bodies into their chosen sites of refuge. Doing so has made explicit the physical and tactile desire that the series is grounded in.